Nearly one hundred samples of seawater donated by people globally, combined with satellite imagery and rendered into fridge magnets. Prolonging the act of remembering, souvenirs are anchoring points for lived experiences. Dislocated from their origins, each sample now lingers as a distanced representation of the bodies of water they once constituted. The work addresses common attempts of  reconciling the act of experiencing and remembering within the domestic space as well as the idea of the tourist as a metaphor of a changing post-modern world.

A hybrid research project where diatoms are addressed as a metaphor to establish a dialogue by remembering historical events, tracing existing narratives and discussing desirable futures of the land, its waters and its people.
Diatoms are microorganisms sensitive to chemical changes and are therefore used to analyse ecological parameters such as water quality. Due to their cells silica wall, they fossilise easily. Through their study, it is possible to analyse agrarian cycles for example marked by the arrival of the Romans, the Industrial Revolution or livestock farming. Diatoms can be found everywhere as they disperse easily, with their presence not limited to places where there is or was water. Furthermore, diatoms outline a map of invasions through the study of their migration, dispersal and propagation of different species, resulting from human activities.
The work materialised in several ways including: a living cartography of all diatoms collected, hybrid ways of using microscopy, the rememberance of submerged towns, the construction of tools for scientific sampling, and a replica of traditional ways of laying cobbles ahead of the incipient architectural anesthesia.

Technology has profoundly transformed our relationship with the Sun. For many of us, glowing screens composed of glass, LED lights and microchip processors have eclipsed its influence on our daily lives and its rhythms. These materials all use silicon dioxide, otherwise known as silica, as a basis for their manufacture. Silica is the most abundant compound in the earth’s crust and is the most common constituent of sand.
Photosphere contains grains of human-made silica sand that have been treated to emit full spectrum white light when exposed to ultraviolet radiation. This new technology, created by scientific researchers Dr. Jesús R. Berenguer Marí­n, Dr. Rubén D. Costa and Prof. Javier Garcí­a, is one of the closest humans have got to replicating the natural light of the Sun to date. It has the potential to minimise the adverse health impacts of artificial blue light which disrupts the body’s circadian rhythm.
In Photosphere, the artificial silica sand was mixed with almost three hundred grains of natural sands collected from different geographic locations from across the world of diverse geologic timescales. Understanding sand as a material that represents not only the basis of our technological and knowledge based society but also cosmological, geological, biological processes of which we’re intrinsically part.

A vinyl on the wall reads: "Exhale. Your breath can be part of this stone's memory." As visitor's approach a large wooden chest a grid of diffusers invites them to make a donation. One by one, they place a diffuser into a recipient containing the artist's bodily composition of fat, carbon and water. Then, they breathe.
Breath upon breath, each layer becomes a receptacle embedding an ephemeral process like breathing individually and permanently within the limestone. The stone was then printed continuously, using a traditional printmaking technique, until a corresponding set of fifty prints revealed the breaths captured in the collection process.

A copper plate was exposed to the weather in London. In order to capture the data provided by the environment a thin layer of asphalt was carefully placed on the copper's surface and exposed to the weather. Results were notable after an exposure of two hours. A signed limited edition of 10 prints were made.

The term “light” and its definition exposed to 342 years worth of light: a cycle equivalent to the time elapsed since a form of radiance, beyond the visible, was first measured. The work is accompanied by a letter certifying the exposure signed by the laboratory.

Thoughts were written for one year using the same pencil. As the pencil was used and sharpened, the lead and pencil shavings were collected. Then, the pencil was reconstructed into its original shape.

A sonification of air in real time. Installed in the gallery is an air monitoring device, an AQ Mesh, linked to each of the speakers. It measures emissions including: nitrogen, carbon dioxide and ozone, travelling from - and to - the outside of the gallery. Each speaker is hung at the corresponding weight of the elements being sonified tracking the change in value, minute by minute.

Our bodies produce between 0.75 and 1.5 litres of saliva a day and, whilst 99.5% of this clear and odourless fluid is water, the remaining 0.5% provides an incredible insight into who we are, by providing a complex, biological fingerprint. This impressive substance is anti-fungal, anti-viral, coats tissue, buffers between environments and aids in digestion and mineralization.
Within teeth, bones, muscles and even mobile phones - in almost every solid object around, crystals are everywhere. And, whilst geometry is usually associated to a human construct most of the things that surround us crystallise in a perfectly ordered and geometric shape. After working with salivary researchers and expert crystallographers based at King's College London two perfectly ordered crystals were grown from saliva.